1760 Junín Street

 There is a verse by Verlaine that I will never

                       remember again.

There is a street nearby that is closed to my steps.

There is a mirror that has seen me for the last time.

There is a door that I have closed until the end of the world.

–Jorge Luis Borges: “Limits”

  

After standing for a long time in silence, trying to find the right words to tell Raúl about the transformation that had taken place in her life, Liliana placed the flowers on the grave. She wiped her tears with the back of her hand and steadied her voice. “Happy birthday Raúl; this is the last time I come. I hope you don't get angry.”


Contrary to tradition, Liliana used to visit him on his birthday, not on the anniversary of his death. The difference was not much in any case; only a week separated the two dates. She had been doing so for almost ten years, ever since she was discharged from the psychiatric hospital José Tiburcio Borda in Barracas, more or less a year after Raúl's death. She left the hospital on his birthday. Her father picked her up. She asked him to take her to La Recoleta. Raúl's father had been a general during the military regime; that is why he had obtained a plot in the cemetery; and there he was buried, together with his son. Before entering, Liliana bought flowers. Her father took her for the first time to the place where the man who was going to be her lifelong companion was buried. He waited at a certain distance from the grave, leaving her alone with her past. Liliana cried heartbreakingly for a while. “Happy birthday, Raúl”, she finally said when she managed to control herself. For a decade, she repeated that ceremony. She even rented an apartment in Ayacucho and Guido so as not to be too far from him.

  

Early in the morning, when she woke up, she was distressed, because she remembered the promise she had made to herself the day before, and she was not sure whether she would carry it out. After a moment of indecision, she got up, took a shower, got ready, and went downstairs from her apartment in Ayacucho. Then she walked along the sidewalk of Junín Street. She stopped at the church of Nuestra Señora Del Pilar and bought flowers from the man who seemed to be there every day. Then she walked towards the entrance of the Northern General Cemetery.

     With her heartbeat racing, she stopped for a moment before the four imposing Doric columns of the portico she was to pass through. She sighed. But the sign in large letters above the portico reassured her: “REQUIESCANT IN PACE.”

     There were few people. The usual noise of traffic and the music from the bars on Vicente López Street could not be heard that early in the morning; the only sounds in the air were the murmur of the few visitors and the occasional cat playing and meowing among the stone angels. That peace and quiet accentuated the halo of mystery, myths, ghosts, and legends that surrounds that place; at the same time, however, it brought some comfort to Liliana.

     She continued to walk along the main path, leaving behind tombs with illustrious names, heroes of the country, presidents, renowned writers, scientists, and athletes. On both sides were marble and bronze statues, representing virgins, angels, Christs, men, and women.

     Five blocks, five and a half hectares, and five thousand graves would make one think that it would be very difficult to find a specific tomb, but Liliana knew exactly where she was going. She just had to go straight to the Central Rotunda. There she was greeted by the Christ statue, with open arms, as if welcoming her, or inviting her to stay in that peaceful world. Christ was also looking towards the exit door, as though he were urging her to leave the necropolis.

     She kept strolling forward, following a little cobblestone lane, under the shade of the cypresses, the araucarias, and the magnolias. Next to the big wall that overlooks Azcuénaga Street (on the other side of which, at night, prostitutes walk around, offering their expert services) was the grave she was looking for. Compared to the others, it was simple, with a tombstone that reached Liliana to the height of her navel.

     Liliana remembered the last time she saw Raúl and the nonsense they had argued about. She was twenty-two years old. She had never been in love or shown any interest in the opposite sex, which is why her family and friends considered her eccentric. It was then that she met Raúl. He was handsome, tall, successful in business, with his own house in Belgrano; passionate, self-assured; he participated in car racing circuits with his Ferrari. In other words, he was the kind of man that women gravitate around. And Liliana was no exception.

     The problem was that neither her parents nor her friends accepted him. It was true that he was not a bad guy, and, despite what was rumoured about him, he adored Liliana. But he was thirty-three years old, had a reputation for being a womanizer, and was deemed to be violent, with an irascible temper.

     Nevertheless, needless to repeat, you can’t rule the heart, and Liliana decided that it would be Raúl or no one else. Her parents had no choice but to give in and accept him as a member of the family.

     Everything was ready for the wedding. In a month, they would be married. The party would be big at Dock 1 in Puerto Madero; a honeymoon in Europe; a new house in Palermo with a swimming pool and twenty rooms for the five kids they were going to have; because she insisted that she would not live in the house he inherited from his parents in Belgrano, but in a new house built especially for them and their future children.

     One night, Raúl was at Liliana's place, a grand house in Montserrat, which her father had inherited from his grandparents, who were among the few who did not move further north during the yellow fever epidemic that broke out in 1871. They were making plans for their honeymoon and got angry over something unimportant. Raúl wanted to spend a week skiing in Bariloche before taking the flight to Europe. She wanted to go straight to the old continent, starting in Switzerland, where her ancestors came from; besides, she had already been to Bariloche more than once, and she hated snow and cold weather. There was no way to come to an agreement. Raúl reproached her for being inflexible; she accused him of wanting to control everything; offensive words were exchanged, and at the end of the argument, Raúl left the house, slamming the door. He got into his sports car, and the anger he was carrying inside was reflected in the speed and the screeching of the tires.

     A couple of hours later, when the phone rang, thinking it was Raul calling to insist on having the last word, Liliana decided that she wasn't going to pick up the phone. But she also thought that he might be calling to apologize. When she dropped the receiver and sank into the couch, pale and moaning convulsively, her father knew it wasn't Raul who had called.

     The accident occurred on 9 de Mayo Avenue. The collision was head-on with a truck, the Ferrari became a pile of scrap metal, and Raúl, obviously, did not live to tell the tale. Liliana was not even able to attend the funeral. The magnitude of the tragedy and the feeling of guilt broke her down.

     After a year in the psychiatric hospital, she returned to work. Apart from that, she would not leave her house and would refuse all romantic proposals made to her. Her family and friends were very worried about her. They, along with the psychotherapist she was seeing regularly, kept telling her that it was time to forget everything and move on. They gave her a thousand explanations and reasons. Still, she would not come to her senses.

  

“Happy birthday, Raul,” she said again. “This is the last time I come. I hope you don’t get angry,” she repeated. “I’ve been alone for ten years. I met someone. He’s a good man. I think you would have liked him. His name is Anselmo.” After confessing the truth to him, Liliana regained her composure. It seemed to her that wherever he was, Raul understood her and gave her his approval. “Goodbye, Raul. Wish me luck.” After kissing the grave, she left and did not look back.

  

© William Almonte Jiménez, 2024